时装技术学院的博物馆多年来提供了许多必看的展览，主题从哥特式魅力到身体扭曲的紧身胸衣。接下来是你的雷达：黑色时装设计师，将于12月6日开幕，探讨非洲人后裔设计师在时尚界的创意和文化影响。
跨越六十年 – 从20世纪50年代到现在 – 该节目分为八个主题，如“打破行业”，其中包括纽约市设计师Arthur McGee和Wesley Tann的作品，他们在50年代面临歧视和60年代的“非洲影响力”一样，突出了现代设计师的作品，如Aisha Ayensu，他将传统的加纳蜡印纺织品转变为成衣。 “黑色时装设计师的崛起”部分为70年代的迪斯科舞厅致敬，突出了Stephen Burrows的金色晚礼服和Scott Barrie的身体意识的丝绸裹身连衣裙。 “实验”展示了安德烈·沃克（Andre Walker）的时尚，解构的斗篷夹克以及胡德（Hood by Air）性别流畅的长袖衬衫裙的Shayne Oliver。
Scott Barrie的晚礼服，大约1973年
模型也占据了中心位置。有一个闪回的乌木时装展，始于1958年，为隔离时代的黑人模特创造了机会，还有一部原创短片，主题是关于多样性的谈话。 华盛顿邮报 时尚评论家Robin Givhan与时装巨星Bethann Hardison，Veronica Webb和Riley Montana。
为了登上展览，FIT的服装和纺织品助理策展人Ariele Elia和策展助理Elizabeth Way花了两年时间深入研究这个主题。 “我们真的想修改时尚史，包括那些被忽视的设计师，”Elia说，这个节目背后的灵感。在展览中约有75件服装中，Elia和Way特别兴奋地展示Ann Lowe的作品 – 以设计Jacqueline Kennedy的婚纱而闻名。 Way说：“她有自己的服装店，专门从事社会客户。” “她是一位真正有影响力的设计师，但对于很多人来说，她完全不为人知。”
Jackie Kennedy穿着由Ann Lowe设计的婚纱。
有关
- 航空时尚时刻最令人难以置信的敞篷
- 什么“裸体”芭蕾舞拖鞋对一个黑人芭蕾舞女演员意味着什么
- 从肯德尔詹纳到吉尔哈迪德，巴尔曼最具标志性的缪斯
另一个受欢迎的是Balmain的31岁创意总监Olivier Rousteing。 “如果你看看黑色时装设计师的历史，他们经常在制造商的指导下工作，并没有得到信任，”埃利亚说，并指出鲁斯廷能够凭借他的超级华丽设计和#BalmainArmy为自己赢得一个名声。模特，名人和流行文化的图标。
The Fashion Institute of Technologys museum has provided many must-see exhibitions over the years, ranging from Gothic charm to body-contorting corsets. Next up on your radar: Black Fashion Designers, opening on December 6th, explores the creative and cultural impact of African American designers in the fashion industry. Spanning six decades – from the 1950s to the present – the program is divided into eight themes, such as “Breaking into the Industry,” which includes the works of New York designers Arthur McGee and Wesley Tann, who faced discrimination in the 1950s and highlighted the “African influence” of the 1960s, as well as modern designers such as Aisha Ayensu, who transforms traditional Ghanaian wax prints into clothing. The “Rise of Black Fashion Designers” section pays tribute to the disco era of the 1970s, highlighting Stephen Burrows gold evening gown and Scott Barries body-conscious silk wrap dress. “Experimentation” showcases the fashion of Andre Walker, deconstructed cape jackets, and Shayne Olivers gender-fluid long-sleeved shirt dresses for Hood by Air. Models also take center stage. There is a flashback Ebony Fashion Fair exhibit that began in 1958, creating opportunities for black models during the era of segregation, as well as an original short film on the theme of diversity. The Washington Posts fashion critic Robin Givhan is joined by fashion giants Bethann Hardison, Veronica Webb, and Riley Montana. To mount the exhibition, FITs assistant curator of costumes and textiles, Ariele Elia, and curatorial assistant Elizabeth Way spent two years researching the subject in depth. “We really wanted to revise fashion history, including those overlooked designers,” Elia said, the inspiration behind the program. Of the approximately 75 garments on display, Elia and Way are particularly excited to showcase the work of Ann Lowe – known for designing Jacqueline Kennedys wedding dress. “She had her own dress shop, catering to society clients,” Way said. “She was a truly influential designer, but for many people, shes completely unknown.”
这个时装技术学院的博物馆展览非常值得一看，主题涵盖了哥特式魅力到身体扭曲的紧身胸衣。接下来的展览将于12月6日开幕，探讨非洲人后裔设计师在时尚界的创意和文化影响。这个展览跨越了六十年，从20世纪50年代到现在，分为八个主题，展示了许多非洲人后裔设计师的作品，包括传统的加纳蜡印纺织品转变为成衣的Aisha Ayensu等。此外，展览还展示了许多模型和原创短片，主题是关于多样性的谈话。这个展览真的很棒，值得一看！